Saturday, October 27, 2012

Watch This Movie: Cloud Atlas

Rating: WATCH IT!

“Our lives are not our own, we are bound to others, past and present. And by each crime and every kindness, we birth our future.”

Does that look confusing to you? If so, you're thinking like everyone else that watched.
Have you ever watched a movie and, when you're leaving the theater, just said "Damn it!" to yourself? Not because you're disappointed, but because, in the words of Will Ferrell, you're "Mind Bottled", with all your thoughts trapped in your head like a bottle? Welcome to Cloud Atlas, my friend. From start to finish, this film is a quilt patched together from about five different storylines, three different major themes and a dose of confusion so heavy you'll be left wondering if you just attended a Mitt Romney seminar on truth telling.
The credits list alone should tell you what a mind bender this will be.
But seriously, it's easier for me to tear apart a bad film than to think on the merits of a film that aimed ludicrously high and occasionally scraped it, while also dregging through some of the pits of film making. Let's be real clear here, everything you might have heard is true. Hugo Weaving plays a typical bad guy type, in addition to an overweight, overbearing female nurse as well as a demonic leprechaun.
Almost as creepy as Johnny Depp in Willy Wonka. But he has a better hat.
You've also got Tom Hanks talking in an initially almost incomprehensible version of future English as well as a crazy Irish accent, among others. You've got white men playing Koreans, and perhaps more insanely, black men playing Koreans. I'm not saying you can't be black and Korean, but the ethnic jive here is just nuts. That's beside the point, though. My advice? Buy into the universe. Accept those elements are a commentary on reincarnation or reoccurring themes that everyone in life deals with. Because this movie has something to offer.
Jokes aside, there are some touching moments. Literally, this is just before these guys kiss. I kid. Or do I?
First of all, the action, when it happens, is awesome. There aren't a lot of other movies where an action sequence will split between three or four different actions scenes occurring in entirely different realities. Off the top of my head, Inception is one of them. In Cloud Atlas, you have a futuristic laser battle parsing between a stowaway slave avoiding gunshots while a 1970s car chase goes down between elderly runaways steal a car. What the hell?
In fairness, this is one of the most awesome scenes of the film.
The action scenes aren't just good. The story takes place over thousands of years, so you see boats sailing in the colonial Caribbean, mansions in old Europe, Blade Runner style future cities and a post apocalyptic Hawaii, complete with ships that look like they were designed by aliens and satellite communication systems that unfold like Lotus flowers.
You can only wish you lived here.
I have a quote at the top of this review, though, and it sums up the movie beautifully. I found myself quoting it last night, more than 24 hours after I'd left the theater. That's one sign, to me, of a good film. The film tells six separate stories in six separate time periods, but ties them together with the common theme that how we act and what we do can have repercussions on those around us, as well as those who come after this. Interspersed in all of this is the notion of reincarnation, that we live on. That's one reason you have actors taking on multiple roles throughout the film. The truly important notion, though, of how we affect each other and can resonate far beyond our lifetimes, is important. I have caught reviews saying that it's trite, and that it's played out. Well, played out to who? Don't we need reminding that our lives have an impact beyond ourselves? Don't new generations need to be told this? Yeah, there are some artistic choices that will bother people. The reuse of actors, some of the accents. They're unimportant to the main thrust of the film though. There's a story of lovers separated by disease and distance, of lovers separated by culture and circumstance, of people who loved for only a moment before being separated by disaster, of love separated by time and fate, of love separated by warfare, and finally love that brings it all to a satisfying conclusion. It's love and courage, recurring human traits in the face of recurring human evil, an eternal battle that never ends but is constantly waged. Humanity may repeat itself, in many ways and lifetimes, but the things we do can have an impact on those who come after, and affect whether they may triumph or not.
Seriously, go WATCH IT!

Tuesday, October 23, 2012

Don’t Watch This Movie: Paranormal Activity 4



Rating: DO NOT WATCH
It’s Halloween. You’re ready to be scared. You grab your girlfriend, go to the movies, and get ready to endure one of the most frightening experiences of your youthful life: Movie ticket prices. Because the gods know you won’t be experiencing any scares during Paranormal Activity 4. Let’s be straight about this from the start, PA4 has about as much originality as the last few SAW films. I mean, there are only so many ways you can beat a horse before its undead corpse rises from the grave in a vengeful fit of retaliation. And bloody hell does this corpse fight back.

Haley Joel Osmond played this shtick out 15 years ago.
For those of you who’ve been paying attention to the lore of the Paranormal Activity series (though let’s be honest, who gives a damn), there’s a coven of witches that endows that go about finding successors and possessing children with spirits. That wasn’t too clear in PA1, it came out a bit more clearly in PA2, and by PA3 we were having full on witch-on-broomstick flights of fancy. We learned the entire family we’d been witnessing was descended from witches who’d chosen the two main sisters of the films, and now that curse has been passed onto the boys.
This guy? Total douchebag.
I don’t want to spoil the film for you if you’re planning to watch it (and why would you when this article is titled DON’T WATCH THIS MOVIE), but some secrets are revealed, and new ones unleashed. Apparently the witches are now part zombie or something, like they thought they needed to merge the series with parts of the Quarantine films, creating some horrific pastiche. It’s like some new meta approach to horror, where the movie itself isn’t scary, but the method of creating it is.

Nobody cares anymore.
Anyway, the best part of the movie is watching the Xbox Kinect they play with, because at that point PS3 fans started booing in a moment of nerd solidarity. Wii users, which we know don’t really exist, were appropriately silent. PA4 does dabble in some interesting elements, such as using the infrared from the Xbox sensor as a way to pick up on ghost movement, but it’s never really enough to scare. There are some tense moments when you’re wondering if someone’s going to get cut by a knife from the sky like God’s holy vengeance, but you never really feel frightened. The moment that made me jump the most was when someone almost got hit by a Prius, and if that’s the only way the movie’s going to scare me I’ll go load up on alcohol and watch World’s Deadliest Police Chases.

She's underage, perverts.
No, for most of the film you’ll be watching asleep in their beds, like a pervert who can justify their bad habit as a form of ‘ghost hunting’. Yeah, nobody wants to know about the spirits you’re seeking, sicko. In fact, the main male figure of the movie comes across like a creepy teen stalker by the way he sees and records every detail of his girlfriends existence due to their cam chats over the computer. So nerds everywhere, rejoice. You too can hope of seeing breasts at some point in your lifetime, as long as you remember to convince her to keep the webcam on so he can hunt ghosts.

Monday, October 1, 2012

Dining Review of Ruggles Bakery

The Rundown:
The City:
Houston
The Place: Ruggles Bakery
The Day: Friday
The Time: 12:30 - 5:30
The Review:

The end of a hard week of work means a chance for me to catch up on some writing, stretch my legs and go for a minor bit of adventuring. By adventuring I, of course, mean eating, as finding a new place to dine is one of the simple pleasures I enjoy in life. A return to the area of Rice Village happened with some trepidation, considering the rather stodgy appeal of some of the locations I had visited. Today though, I was in for a treat.



Ruggles Bakery sits toward the tail end of the strip, a bit away from all the hustle and bustle. Its position may put it farther away from the busy street of Kirby, but it works well, if only because that means there's a decent parking space to be found. This might not be true throughout the entire day, but it's a welcome change of pace from the meager one or two spaces afforded at some of the other locations on this street. I swear, it makes one wonder how so many people can cram into this small space.

At any rate, by this time I've settled on Rice Village being the sort of coffe and wine version of Austin's 6th Street, a sort of walk-and-enjoy area where you can skip between coffee hourses and small cafes as opposed to bars. Ruggles, though, is a place you can go and settle in for the day. The first thing to note about the place was that, as opposed to a few other locations in the village, Ruggles is actually welcoming. A warm and simple wooden interior matches a quirky front banister that provides a personal touch. Instead of tables covered in table cloth, they're simple wooden affairs. No pretensions of wine cases deck their walls, but instead an open view of the kitchen gives you sight on the food being made.



The front display case shows off their talent with an assortment of baked goods, but my primary concern was lunch. At eight dollars, the Roast Beef Sandwhich sounded like a good deal. Paired to a two dollar Black Bean Soup and a dollar drink, and it all came out to about 13 dollars. Perhaps a bit high for lunch, but take away the soup and you've got something much more modest. Besides, for most people the sandwhich will do nicely all on its own.

I have to say, the Black Bean Soup is a bit underwhelming. It is, without question, soup. Textureless, save for some bits of tortilla chips and a dollop of sour cream, they could work a bit on its composition. Perhaps keeping a bit of the bean in the bean soup would serve to give some life to the dish. It's tasty enough, but nothing to write home about. A good Black Bean Soup can actually be hard to nail down, and I think Ruggles is a bit off in its execution.



However, the big draw was the sandwhich itself. Placed on an onion roll with rolling cuts of beef, doused in au jus, with a smattering of onions, it was a treat. Too much onion and the sandwhich risked being overwhelming, and samea goes for the juice. Several times it bordered just on the edge of enjoyable tolerance, but in the end it was pulled off quite nicely. Large portions, filling and tasty, I can't speak highly enough of it.

Perhaps I should have had some of the cofee at this cafe, but instead I contented myself with a brownie and chocolate cookie. I would suggest that, perhaps, the cookies be kept warm. Otherwise they sort of just sit on display, growing hard and less appealing, especially if you're eating toward the tail end of the day. However, the brownie was delicious, and moist, so no complaints.



The staff was courteous, happy and smiling, at least when I arrived there at noon. I can't say what their temperments were like once the larger dinner crowds started to flock to the bakery, but I felt quite welcome, not only by measure of the staff but by the overall design of Ruggles itself. It's a nice break from the stuffy attitudes and unfriendly service that seems to have fit into some other parts of the Village. Although some of the food was only average, their big hits, the sandwhich and brownie, were quite delicious. I can deal with a cup of bland soup, but nobody should ever botch Roast Beef.
An excellent place. Do yourself a favor, and make this the place you stop by when you're visiting the area.

The Final Call:
Facilities:
4/5
Staff: 4/5
Service: 4/5
Drinks: N/A
Food: 4/5
Overall: 4/5

- Posted using BlogPress from my iPad

Thursday, September 27, 2012

Let's Play Sword & Sworcery

Alright, so enough reading. This is my official review of Sword & Sworcery. I know, I know, it's been out for a while. But if you haven't played it, check the review, see the clips, hear the amazing narration. I kid I kid.


Saturday, September 22, 2012

Let's Play Sword & Sworcery Part 02

For those of you who tuned in to part one of Let's Play Sword & Sworcery, I now present the exciting conclusion.


I really did enjoy this game, although I think it plays stronger on the iPad. I say that only because the way it uses the iPad really is genius, and there's a joy to playing this game with headphones on and enjoying the music. But the interaction you get from having to flip the iPad and squeeze and pinch to manipulate the environment give it an added touch.

I think I'll do a proper, full length review of the game to amend this Let's Play, so expect a final post concerning Sword & Sworcery.

Tuesday, September 18, 2012

Let's Play Sword & Sworcery Part 01

It's rare when a story, in any medium, invokes the most primitive images of humankind in order to convey its tale. Whether in books, movies or games, characters are normally fleshed out and plots made intricate and detailed. However, sometimes the best stories are the ones that allow us to fill in the gaps. Journey, the most highly downloaded game on the Playstation Network, is one of those games. However, Sword & Sworcery also ranks among them, and rightfully so. A barebones plot detailing the adventure of a warrior Scythian in search of Gold Trigons, the Megatome and the destruction of the Gogolithic Mass, it is a tale pitting protagonist against antagonist without going into much detail.

While some people might think that a weakness of the game's story, it's actually quite a strength. Fairytale stories, such as the Chronicles of Narnia, would allude to larger worlds without actually exploring them. This allowed the reader to populate that world with their own imaginations. Sword & Sworcery does the same, allowing you to venture out and explore a world, seeking the destruction of an ethereal foe. Why? It does not matter. It only matters that the foe is mostly a symbol, one conveying death and destruction. Why root for the protagonist? It does not matter. All that matters is she is a symbol, one representing life and protection of the innocent.

There is a game here, of course, that involves more than just wandering about. It is like an adventure game, in that there is a world to explore and inventory items to use, but this is applied minimally. Then again, so is the combat system, which takes cues from Mike Tyson's Punchout and asks the player to respond to intricate timing and gestures initiated by the various foes of the world. Finally, there are search games involving cuing up musical notes in order to invoke Sylvan Sprites and forward the plot. These might seem like disparate elements, but in the world of Sword & Sworcery they combine elegantly, and allow you to feel involved in it. As the Scythian, you do all this, stumbling on hints of lore and legend that fascinate and propel you forward.

It is definitely a game worth playing, especially now that it has transitioned from the iPad to PC. However, this is a Let's Play! So I kindly invite you to watch my playthrough of Sword & Sworcery. This is part one of two parts of coverage. Let's do this.


Saturday, September 15, 2012

The Long, Sad Story of Teamsters Local 657


It's 8:30 in the morning and I'm driving through the King William's District of San Antonio. I'm on my way to a meeting of the minds, by which I mean I'm bringing my mind to teach at the local high school. The radio is playing its normal medley of trash rock and rap, but in my sublime morning state, fresh from waking up, it might as well be the summit of musical genius. It's one of those early days when the sun is still peaking over the edges of clouds piled high in inviting layers of blue and white. In short, it is a beautiful way to start off, one only spoiled by the row of somber looking individuals standing alongside the long road leading past Pioneer Flour Mill. Hands clutched about signs saying "Teamsters Local 657", they form a motley band of men and women on whom this beautiful morning is most certainly lost.

The King William's District is among the oldest and most renowned areas in San Antonio. As a consequence, it is also inhabited by some of the wealthier individuals in the city. Houses here go for more money than many people will make in a few years, and no wonder. Some of these buildings have histories so long they predate my own grandmother. Picturesque homes stolen from the frames of portraits sit alongside the lazy San Antonio River, its calm waters drifting away toward downtown San Antonio, whose towers scrape like fingertips at the blue sky above.

The whirring of bicycles is not uncommon, as the healthy and active whiz by on their daily routines. All through the air, a sweet fragrance pricks at one's nostrils, a memorable aroma ignited by the endless flower bushes that line the streets. This truly is one of the most memorable sections of the city, a place created by a confluence of history and modern efforts to restore the old place's glory. Mixtures of guitars, saxophones and pianos can often be heard swimming by as musicians gather at the local Blustar Art Complex, one of the centers of modern San Antonio's artistic community.
And rising above it all, the lord of the land, the great tower of Pioneer Flour Mill. For more than a century, this place has churned out the flour that has enriched its owners and created a name for the Guenther family. From its infancy as a small flour mill on the banks of the nearby river to its modern standing as a flour producing powerhouse, Pioneer Flour has outlasted many of its contemporaries. An old man of the city, its two hundred year birthday just over a coming thirty year horizon, it has seen employees come and go and its own business inflate. Far from creating mere flour, the hands of Pioneer stretch to other parts of the globe. From its bakeries in the UK, Belgium and the U.S. it has served to produce dozens of food products people consume each day.

It's a strange thing. Week to week, people pass by the place. They wander about, touring, enjoying the sights of the old houses. They meander along, off to look at the art and listen to the music touted at the Bluestar. Or, they head to Pioneer itself, to the Guenther House that rests cozily in its shadow. There, they enjoy the fine dining experience. If you're of the mind to, you can even enjoy the food and company there while celebrating on New Year's Eve.

With so much success, and in such a beloved area of the city, everything might seem perfect in the King William's District. Still, there is an outcry. Small, almost feeble, it still shouts. It breaks the serenity of the area, often unheard, but never ceasing. It is the voice of Teamsters Local 657.

*
When I drive by, occupied by thoughts of what my students might be like that day, wondering if they'll be able to snap from their high school dramatics long enough to listen to a history lesson, I barely catch a glimpse of them. To my mind, they may as well be a line for the local bus stop, or a group of day laborers hoping for employment. The uneven streets beneath my car rattle my cup of coffee, sending me into a desperate attempt to still it before it stains the nearby passenger seat.
I'm successful, my vehicle rolling on, but I have just enough time to see that line from the corner of my eye. Innocuous enough, certainly unremarkable, the group passes from my mind. After all, there's no time to wonder about strangers on the sidewalk when a small platoon of high school students, armed with rap lyrics, love interests and foul language are readying themselves to attack.

If they had only been there a day, I might not have thought about it again. However, another day rolls along, and on yet another day I fail to take any real notice of them. Still new to this area, I'm too busy simply trying to navigate my way through the streets of the old city to really invest in the sights. Perhaps they're simply waiting to get into the nearby factory, I muse, my eyes glancing just slightly upwards at the looming Pioneer tower. This ritual repeats, day to day, and I almost never really take the time to see them. In fact, it would not be my eyes that finally snapped me into paying intention.

No, instead it was a honk. Two beeps, as a dilapidated pickup truck bounces along the street, heading my way. I look over in annoyance, wondering exactly what it is he's honking at. Is he warning me of a cop? Perhaps one of my lights is out. Or, perhaps, he's simply one of the many terrible drivers that inhabit this city. Maybe he's simply an aggressive driver. However, as his vehicle passes out of sight, rolling alongside me and off into parts unknown, my eyes stay glued to the gates just beyond. Those people, those same people, are there again. They're nudging each other, talking. Some are laughing. Some are waving at the cars passing by. Then, finally, I see it.

The signs. Held high, on poles, or simply between firmly locked hands, they wave them. White signs, emblazoned with the words "Teamsters Local 657".

*
The majority of tourists don't come to the King William's District during the week, or even during the day. No, they come mostly toward sunset, or the evenings. Certainly they come more during the weekends. At the beginning of each month, San Antonio celebrates an artistic festival called First Friday. Artists, dancers, and musicians all gather. They don't simply flock to the Blustar, even if most people begin the night there. Instead, they stretch themselves out for blocks, along streets, filling them up like water filling up newly carved canals. Lights ignite the night, and revelers begin to stroll along. A new smell fills the air, as cuts of meat are cooked on steel framed grills, the scent of smoke and barbeque passing along.

Few people have reason to walk by the front gates of Pioneer even if they drive by it daily. Regardless, it's the weekend. If there are protestors standing at the front gates, nobody will see them on this day, at this hour. They're hidden as much by virtue of their location as much as the time of day and week Yet, there is one man, one figure, that sears itself into my memory.

I'm fresh from the university, where I spend time as part of a research team. It's only hours before the beginning of the festivities, and I have a late assignment to gather a few photographs of the district at sunset. In hopes of making the history of San Antonio more palatable to the undiscerning tastes of college undergraduates, I've gone out to gather the sort of photos that could add life to a lecture. Feet pounding along now cooling concrete, the rapid shutters of my camera the only sound filling the still empty streets, I catch sight of him.

In San Antonio, it's not an unusual sight to see vagrants, signs held up in hopes of rustling a few dollars. At first, I take this to be what I'm seeing. He's a man, thin, his thick mustache decorating a line worn face. Not much meat on him, and a ballpark cap pulled tightly down over his eyes, he is stationed at the rear of the facility. Not on the street facing traffic, but instead facing the interior of the district itself, toward the view of the many elegant houses that have stood for a better part of the century.

Protestors never stand there. There are, simply put, not enough vehicles passing by to make it worth the time. Vagrants avoid the street for the same reason. It sits closer to the Guenther House Restaurant than it does to the entry of Pioneer Flour Mill, even if the two are intimately entwined. Still, he's there, not standing, but instead sitting. The sun pours over him, reddened skin tucked behind a white t-shirt, sign in hand.

It's the beginning of Friday evening. The sun is quickly disappearing, and yet he still sits there. The sign reads "Teamsters Local 657".

*
Flour, biscuit mixes, cereals, tortillas. Products people consume daily. Pioneer's bakeries even produce the buns that are shipped to fast food titans such as McDonald's and Burger King. The average citizen of San Antonio might not be able to recognize it for what it is, but Pioneer is a powerhouse in its own right, a producer and supplier of a variety of goods. Its own website says that its current owners now zip about on "jet planes to distant subsidiaries and talk of product development, brand recognition and strategic plans". Pioneer is no small player.
Which is why it was strange when, in the spring of 2011, the whispers started to become shouts. Not all was right in the halls of Pioneer Flour. Dissatisfaction, discontent and disharmony ruled the workers of Pioneer. A wage raise was quickly coming, and so it was strange that there should be dissatisfaction. At almost any time, in almost any economy, a raise would be welcomed. Not here, not in the heart of the King William's District.

A manager sits down the leaders of the local workers. The wage is coming, he assures them. However, it's coming at a price. Health care costs will also be going up. The culprit? Obamacare. Because of the heavy burdens being placed on them by the president, Pioneer will have to raise the contributions of the workers from 11$ for medical to 35$. A net pay loss of four dollars per week, when it's all said and done.

Outrage. Anger. The teamsters claim almost seventy percent of their people will not accept. Management claims otherwise. The practical result either way, however, is a strike. It's why, if you're passing through on a weekday morning, you might hear the word "Scabs" being shouted by the local picketers. There are people who are ready to criticize the protest, obviously. The pay decrease isn't much, and the health care coverage is better. Picketers respond that, in reality, many of them already have their own coverage. It's a net loss for them regardless.

Here's the real crux of it, though. Tell any hard working man that he's being rewarded with a pay cut, and tell me what the result is. This point is especially sharp when his company's website talks about owners that crisscross the country, forging economic partnerships via the luxury of jet planes. It's not just a matter of wage decrease, either. Take a look at any modern assessment of wealth. The gaps are getting wider, between the richest and everyone else. MSNBC's Ed Schultz loves to tout his graphs, one of the most consistent being the growing wealth disparity.

Yet more to the point is not the disparity, but the rate of wage growth for the average worker versus that of the wealthiest. While the earnings of the wealthiest have continued to climb, that of everyone else has stagnated. That's what has created the disparity, and that's why it's difficult to take a working man aside, look him in the eye and tell him that his work has earned him a paycut. Not with jet flying owners, and not in this economy. Because of inflation and other factors, the buying power of the average American worker no longer has the strength it did even just ten years ago. So, a pay cut of even four dollars a week makes no sense. If their dollars already buy less, then a pay decrease means they can contribute even less to the economy. It doesn't add up.
Not for the members of Teamsters Local 657.

*
April 2012, the beginning of a new year of protests. In the past six months, Occupy Wall Street, despite its stumbles and the criticisms against it, has at least managed to begin a narrative about the growing inequalities in America. Major uprisings in places like Wisconsin and Chicago are the marks of organized, somewhat powerful labor groups. Public workers and teachers are no longer willing to take the abuse of government. In the months following April, they'll win major concessions in the legislature, in places like Ohio, as well as win victories in the courts.

That doesn't mean much to the people standing, every day, in the heart of the King William's District though. You never hear their story. It's not carried on MSNBC, and nobody from CNN is listening. Even the local news only carries occasional coverage. San Antonio, despite its growing reputation as a more liberal, tolerant city that is distinct from the Republic of Rick Perry's Texas, casts only an occasional eye toward them.

Hell, I was barely able to cast an eye toward them, as my car jumped along on the street as I passed on to work. It's year two now, for them, and they're still standing out there. The damn shame is, nobody's telling their story. They're just a motley group, all wanting to be treated like human beings, treated with compassion and fairness. Their jobs have all been replaced, now. Pioneer boasts that they're back to 100% employment and efficiency, having trained new employees and filled all the gaps.

They're not giving up though, not these people. I'm no longer passing by every morning, as my life has drawn me elsewhere. I can leave. My future, still being written, is for the moment secure. These people are living on the edge, though. It's hard to go so long without a fair shot at the job you enjoyed. In six months, they'll be staring at year three. They're still shouting, still crying, but there are no ears to hear. Nobody is paying attention, and that protest that began with a shout has dimmed to a whimper. Not for lack of passion on the part of the workers, but for lack of care from anyone else. In a world where labor movement after movement is being covered in the media, there are still groups like this going unheard.

Still, for my money, and it's not much, there's just one memory I'll never be able to let go of. It's that old man, white t-shirt on, his ballcap pulled down tight. Seated in a collapsible chair, brown skin sizzling beneath the sunset, he's not off to join the festivities. He's sitting on the unattended side of Pioneer Flour Mill, alone on an evening when groups of people will soon be passing by, their minds more on alcohol than on fair wages. Perhaps rightfully so.

This man, though, was something else. He was anyone and everyone you've ever met but never given a fair shot. I hope he hasn't given up, and that he's still fighting for the job he believed in, even if he was standing alone while all the world was trying to ignore him. Holding that sign.
Teamsters Local 657.